I well know that some people consider remarks about the strangeness of children’s fantasy movies from the eighties, particularly when one comes to them as an outsider, useless or trivial or redundant when much of the strangeness is played for laughs. But come on. Child of Peach really was weird and Magic of Spell outdoes it, likely intentionally. Really, how can anyone not make note of weirdness in a movie that provides an opportunity to contemplate the morality of an anthropomorphized Peach eating an anthropomorphized Ginseng root? Does it still count as cannibalism if the characters involved are technically magical fruit and magical root?
The first half of the movie dedicates itself to slapstick while the second is all action, but the slapstick is so wildly exaggerated and driven by physicality and the action so relentlessly absurd that the transition between the two is probably smoother than it sounds. In the first film, director Chan Jun-Leung set a record for the most representations of urine and urination in a single movie. Magic of Spell’s director, Chui Chung-Hing, doesn’t challenge that record. He was the action director for the first film, and taking command of the second (along with not following a preset narrative) apparently allowed him to show off even more bizarre fight choreography than in Child of Peach. Magic of Spell is actually filled with even more action, wire work and animated effects.
It’s difficult to explain the appeal of a cheap, stupid movie like Magic of Spell. Like fart and pee jokes? This has lots of them. Like long action scenes? The last twenty minutes are just one long fight scene. Like well defined characters and coherent plotting? Well...
We at the Washington Psychotronic Film Society screened Magic of Spell from a video CD last year. I made a programme to accompany the film, and later left a post regarding the credits listed and my translation of them.
ReplyDeleteCool stuff. Thanks for sharing, primofex.
ReplyDelete